There is no-one else like Lindsey Stirling. We are talking about a
classically-trained violinist, from Gilbert, Arizona, entering a
futuristic world of big beats and animation – imagine Vanessa Mae
leaping through the pages of a Manga comic with Skrillex in hot pursuit.
Her song ‘Crystallize’ was the eighth most-viewed video on Youtube last
year, racking up an incredible 78 million views and over 3.6 million
subscribers. With her first ticketed show just twelve months ago, she’s
now selling out dates across Europe, America, Russia and Asia. Her debut
album has sold 200,000 copies in the US without the backing of a major label, and has gone Gold in Germany (over 100k sold) and Switzerland.
It is hard to believe that Piers Morgan told Lindsey Stirling the
world had no place for a dancing dub-step violinist. But being voted off
2010’s America’s Got Talent, at
the quarter-finals, turned out to be the best thing that’s ever
happened to her. Rejection simply strengthened Stirling’s resolve to be
herself. “The same reasons I was told I wouldn’t succeed are the reasons
people travel hundreds of miles to see me now,” she laughs. “Because it’s different. Because it’s something you haven’t seen before…”
Stirling’s debut album features twelve original tracks including
viral smashes ‘Crystallize’, ‘Shadows’ and ‘Electric Daisy Violin’. She
has created a new musical world where the romance of Celtic folk music
and modern classical meet the infectious energy of dance and
electronica. In ‘Elements’ you’ll hear rhythm programming and “wub-wub”
bass recalling dubstep giants Skream or Benga, while ‘Zi-Zi’s Journey’
and ‘Spontaneous Me’ feature all the thrilling, arpeggio build-ups of
trance. On stage, Stirling moves with the grace of a ballerina but works
the crowd into a frenzy, “dropping the beat” like some strange,
electro-pastoral rave fairy.
Like Imogen Heap or Amanda
Palmer, Stirling is the model of modern independent recording artist,
with a formidable online presence and a powerful, symbiotic relationship
with her fans. She is famed for taking “requests” and has recorded
unique versions of the themes from Phantom Of The Opera and Game Of Thrones,
the video games Zelda, Pokemon and Skyrim, and songs by Michael Jackson
and Rihanna – uploading them all to Lindseystomp, a YouTube channel
packed with music videos and short comedy films, many featuring her
alter-ego, a ‘superfan’ called Phelba.
It was no conventional childhood. Stirling was raised within a Mormon
community in Arizona. As a teenager, the rigours of classical music training stifled her, and she nearly chose to pursue a career in therapy. But the violin would not let go, and it became a comfort throughout her struggle with an eating disorder in early adulthood.
It was her experience with America’s Got Talent that inspired her to start composing. As a motivational speaker
in her spare time, Stirling uses her own story to show teenagers that
you’ve got to have confidence in the very thing that makes you unique –
then wait for the world to catch up. “We give more liberties to other
people than we do to ourselves,” she says. “We put labels on ourselves,
but we love seeing people who just don’t care about what others think.
The challenge is to love yourself for who you are, be your best self,
and to encourage others to do the same.”
check out her channel on youtube >>> Lindsey Stomp
follow me on twitter >>>GWS' say !
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